VIRTUE
Named a Summer Must Read by Wall Street Journal, Elle, Harper’s Bazaar, Entertainment Weekly, Glamour, Esquire, Bustle, Town & Country, Good Housekeeping, Refinery29, and more
“[Hoby] might have just written the defining New York City novel of our fraught, socially anxious, and politically tumultuous times.” —Interview
“Intense and addictive . . . With a touch as light as a single match, Hoby scorches the earth beneath hollow social activism and performative outrage.” —The New York Times Book Review
“Poignant.” —The New Yorker
“I took such delight in Hoby’s prose. . . . Luca and Paula and Jason are skillfully drawn, each possessing a distinctive, nuanced personality and a complicated psyche, and Hoby’s gift for sensual description makes us feel we know them viscerally.”
—Sigrid Nunez, New York Review of Books
“[A] trenchant story of complacency and social consciousness.” —Esquire
“Virtue beautifully explores the temptation to define yourself by other people’s expectations and the risks of losing yourself in relationships where you don’t belong.” —Ploughshares
“Hermione Hoby’s skilful, sharp second novel is the latest in a line running through The Ambassadors and The Great Gatsby, The Talented Mr Ripley and The Line of Beauty. . . . Hoby’s gift is a sensitivity to the language of a given moment.” —Times Literary Supplement
“As she did in her radiant debut, Neon in Daylight, Hermione Hoby once again turns her keen eye on a very specific type of New York City privilege. . . . Hoby is excellent here, cleverly — but never cruelly — pulling apart all the lies people tell themselves about what it means to be good, and offering a pellucid reminder of the dangers of complacency and inaction.” —Refinery 29
“Vivid.” —Glamour
“Lyrical [and] uncomfortably real, this novel invites readers to take a hard look at our ideals and what we will (or won’t) do to uphold them.” —Good Housekeeping
“A stunning take on recent history and a haunting look at interpersonal connections.” —Vol. 1 Brooklyn
“Achingly acute and ultimately shattering . . . [with] sparkling sentences and indelible characterizations to hold readers rapt.” —Shelf Awareness
“A small book about small things that becomes a big book about everything.” —Kirkus (starred review)
“Hoby’s writing sparks with inventiveness. . . and she offers insights on the damage of power imbalances in relationships. [Virtue] speaks volumes on the shallowness of white privilege.” —Publishers Weekly
“A delicious meditation on morality, nostalgia, and art. . . . Hoby searingly renders Luca’s many worlds and lambasts insincere compassion with nuance.” —Booklist (starred review)
“Hermione Hoby has a a high-wire command of language and a sensitivity for conjuring facets of being that I never knew could be described until I read Virtue.” —Rachel Kushner, author of The Mars Room and The Flamethrowers
“Hermione Hoby’s Virtue kept me rapt from the very first page, intoxicated by the richness and surprise of its language, its wit, its keen attention to the layers of friction and attachment lurking beneath the surface of every conversation. Hoby’s gaze is both cutting and generous: razor-sharp about social pieties without ever stooping to caricature. More than anything, Virtue illuminates the messiness of being human and trying to be good.” —Leslie Jamison, author of The Gin Closet and The Empathy Exams
“Hermione Hoby has a way of rebuilding the world with astounding resonance and vividness. In Virtue, with bewitching precision, she captures the ominous beauty and soft underbelly of our protest summers. The result is both a sumptuous portrait of all-consuming attraction and a compassionate indictment of shallow social conscience. I loved this novel, and sank deep into its radiance and rot.” —Jia Tolentino, author of Trick Mirror
“An engaging and beautiful novel. Virtue resists easy moralizing, yet delivers an elbow-sharp, incisive dissection of the seductive nature of the privileges afforded to those on the favored side of inequality.” —Mychal Denzel Smith, author of Stakes Is High
“A work of confident elegance and eerie familiarity for anyone who has ever been young, ambitious and blinded by perception.” —Sloane Crosley, author of The Clasp
“Virtue bears satirical witness to contemporary American liberalism—its pieties, its trinkets of cultural capital, its useless insights—in brutally accurate detail. A brilliant, funny, ultimately horrifying comedy of manners.” —Joseph O’Neill, author of Netherland
“Virtue is the first novel to deal directly with the intimate corrosions and self-betrayals wrought by the Trump years. In pearlescent prose, Hermione Hoby presents the struggles of a creative class caught between beauty and duty, on the eve of its dissolution.” —Marco Roth, author of The Scientists
NEON IN DAYLIGHT
“A radiant first novel. . . . [Neon in Daylight] has antecedents in the great novels of the 1970s: Renata Adler’s Speedboat, Elizabeth Hardwick’s Sleepless Nights, Joan Didion’s Play It as It Lays. . . . Precision—of observation, of language—is Hoby’s gift. Her sentences are sleek and tailored. Language molds snugly to thought.” – Parul Seghal, The New York Times
“[A] luminous, crackling debut.” – Entertainment Weekly
“[L]uminous and wonderful. Hoby spins an intricate narrative that careens toward myriad social and emotional collisions. Her style has a delicious, raucous quality…” – LA Review of Books
“This book pulses with the sticky heat of summer and sex and power and desire. It’s quiet, but insistent, that pulse, and you’ll find yourself responding to its movement as you read Hoby’s sharply observed debut novel, which centers around the intersecting lives of three people living in New York—a very secular trinity indeed. There’s no need to worry yourself with anything so reductive as what this book is about, exactly, because it’s about everything important: infatuation and loneliness, the way in which art and life are impossibly serious and superficial all at once. It’s about wants and needs and dead ends and new beginnings, and it’s about Hoby masterfully spinning a sometimes deliriously beautiful, sometimes tragic tale of ambition and currency and lust and sloth. It’s about New York in the summer. It’s about being alive.” – NYLON
“Neon in Daylight will catapult Hermione Hoby to literary stardom.” – The Chicago Review of Books